Across my recent projects, from the teen drama Goin’ Back to the psychological thriller Only Way Out Is Through, I have pursued a cinematography practice that experiments with form and style to push storytelling beyond the script. Whether pushing boundaries through experimental, psychedelic visuals or crafting emotionally resonant shots for dramatic purposes, I am committed to using cinematography as a creative engine rather than a technical task list. 

As my studies progressed, editing became a natural extension of my creative workflow. Especially as a cinematographer, I believe that a strongly crafted visual language can highly facilitate post-production, encouraging editors to reimagine the story as a result of production. Facilitating a director’s vision is a challenge I am passionate about tackling as an editor. Working across different genres has helped solidify my belief that creating a new creative approach and workflow for each film is key to carrying its impact.